"If it ain't fixed... don't break it."

Sometimes, the beauty lies in the breakdown...

I received my formal training at the School of Visual Arts in N.Y.C. However, I admit that that MY type of approach wasn’t learned in a  classroom. Most ALL the works seen here were created in public spaces, like Starbucks Coffee shops, mostly because they’re the only places that are available to me with my daily work schedule. I can only really create art for myself very early in the morning, as the rest of my day is spent working on the creative solutions for others. I am fortunate enough to be able to earn a living working with the left side of my caffeine infused brain. When I was an illustration student in New York City, it seemed like a lot of energy (both from the instructors and the students) was spent on trying to develop your craft to create a “unique style” that would set you apart in the industry. Ironically, that was at a time when almost ALL of my day was dedicated to making art. What I have found out, with time, is that it is the actual “restrictions” on my day that have inadvertently been given my “style”. The fact that it’s created at an ungodly hour of the day and with my eyes half opened (sometimes) and in a public coffee house, because I don’t have a studio at home and that I work on a certain size paper in Conté crayon with reference from my iPhone, along with NOT having a whole lot of “me” time, has been crucial in what I have been able to create and the way I produce it. So, IF my art looks rushed... raw... crude... emotional... panicked... introspective OR like it was made by a caffeine addict with his eyes half closed and a cup of espresso in his other hand, then YOU are very perceptive, my friend... because that’s EXACTLY what it is... what I am.

Here’s what someone with a better education than me has said about the work...
“Drawing upon his vast professional editorial experience, Ed brings his personal artwork to a surrealistic state in order to tell a story. He has developed a visual language that speaks to everyone, revealing truth about botht the artist and the viewer. Ed finds inspiration in long forgotten memories and emotions that lay sleeping until he comes along and pokes them back to life with the pointed tip of his charcoal stick.

What I use to draw: A majority of the broken art is rendered in black (2B/Pierre Noire) and white Conté crayon pencil on Strathmore colored pastel paper (approx. 18” x 24”), which is my preferred medium. Sometimes I get to paint and then it’s usually a mixed medium with the focus on acrylic and found wood or canvas. Oh, and I do a lot of design in Adobe applications!

this is me...

I thought maybe you'd want a photo...
but I could be wrong. :)

i also create for other people (sometimes)

I do have to pay my bills. So, to that end I am often asked to make other things for people with cash in their hand. (to which I am very grateful) If you'd like to see some of that stuff, please visit my other website
here ed mulligan graphics.com

Now it's YOUR turn...